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Asian Art Revisited

Monday 25 September 2017 – Saturday 14 October 2017

This selection of works aims to illustrate a few basic tenets of Asian art from Marjorie’s perspective:

Good brush techniques transcend beyond Chinese paintings

That craft, rituals and folk art have an impact on the choice of colour for artists in Asia

That black and white are considered ‘colours’ in Southeast Asian art

That Asian artists see vertical and horizontal compositions as basis of strong and stable paintings

That Asian artists consider paper and canvas as equally important mediums

Still Life

Apple as planet

Fruits in antique setting

Subjects with kinetic energy

Vase with European influence

China, Tian Mangzi

Singapore, Soh Chee Hui

Singapore, Soh Chee Hui

Singapore, Wee Shoo Leong

Indonesia, Sudarso

Prints

Woodblock Silkscreen Lithograph Aquatint

Japan, Morimura

Japan, Tsubota

Japan, Shinoda Toko

Singapore, Kim Lim

Peoples of Asia

Villagers Contemporary Balinese Freedom from materialism Village life

India, Narendra

Indonesia, Mokoh

Vietnam, Tran Trung Thanh

Thailand, Den Warnjing

Abstract

A city Rain and sun Osmanthus garden Calligraphy on texture Grid on silver foil

Vietnam, Tran Van Thao

Vietnam, Tran Van Thao

Singapore, Goh Beng Kwan

Singapore, Hong Zhu An

Thailand, Ithipol Thangchalok

Thai Palace

Home Sunny Island Trophy landscape Time

Thailand, Smat Suwannapong

Singapore, Milenko Prvacki

Singapore, Milenko Prvacki

Singapore, Milenko Prvacki

Singapore, Milenko Prvacki

Screens

Ming Chinese style Contemporary style Carpentry

Singapore, Ling Yang Chang

Singapore, Hou Hsi Ching

Singapore, Max Kong

Sculptures

Cast bronze

India, Sal Sutanu Chatterjee

China, Cheung Yee

Thailand, Kamin Lertchaiprasert

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