Jeremy contiuned to pursue his interest in ‘ready-made’ material and surfaces in “readily-available images”. These works challenged him as he experimented with the “removal of self” and absence of expressions in his works.
The ARMY DAYS series continues to detail Jeremy’s experimentations : of forms and of the representational world. His SEA SLABS recall a certain kind of cerulean colour inspired by the lagoons of Venice.
How does one get Jeremy Sharma to distill the first seven years of his artistic practice ? I asked art writer/filmmaker Patricia Chen to crack it in a 4-part video interview series to be released weekly: