MANUEL RODRIGUEZ

Born in 1912, Manuel Rodriguez revived printmaking as a major art form which led to the graphic arts movement in the Philippines. Rodriguez attended the University of the Philippines School of Fine Arts and was mentored by experts like Fernando and Pablo Amorsolo, Fabian de la Rosa, Toribio Herrera and Ramon Peralta.

Rodriguez began experimenting with printmaking in the ’50s with greeting cards depicting Filipinos and their traditions. Using his own paintings, he turned out silkscreens or woodcuts in one or two colors. They were exhibited by the Art Association of the Philippines (AAP), which was then headed by Purita Kalaw Ledesma. Printmaking later became a separate genre and prompted novice artists to join AAP to learn more about it. With help from AAP, Rodriguez was able to conduct workshops on printmaking. Among the notable artists who attended the workshops were Vicente Manansala, Fernando Zobel and Hernando R. Ocampo.

When art shifted from traditional to modern during that era, modernists criticized Rodriguez for sticking with printmaking. They considered it a “dead art” and felt he was wasting his time. But Rodriguez continued to teach in hopes that people would “appreciate art by the hands-on way.” Printmaking changed the course of his career. It gave him the opportunity to study abroad and expand his skills. Returning to the Philippines in 1962 Rodriguez was at first hesitant to share what he had learned, but changed his mind, feeling it would be his fault if “Filipinos remained ignorant in graphic arts.” He opened a printmaking workshop next to his family-owned art gallery and introduced college students to graphic arts. Rodriguez revitalized printmaking by improvising original machines and materials for etching on metal. He invented a roller press and metals from materials he found at a jeepney factory.

Rodriguez moved back to the United States in the ’70s and settled in New York. There, he established “Interarts,” an organization of artists, musicians and writers. He also returned to his other love, painting. He experimented with new tools and mediums, creating his own style by using “expressive distortion of forms, palpable rhythm, poetic symbols and collage.” Works in his collection include “Marbles” (1960), “Man Has His Seasons,” (1985) and “Dance of Fire” (2004).

Rodriguez has received numerous accolades throughout his career, among them the National Heritage Award (1967); Lingkod Bayan Award (1975); Patnubay ng Kalinangan Award (1979); Bruna P. Seril Advancement of Philippine Cultural Award (1988); and the University of the Philippines Alumni Association of New York Achievement Award (1991). He founded the Philippine Association of Printmakers and was the first Filipino artist and printmaker to represent the Philippines in International biennial exhibitions. Rodriguez was also given honorary professorship by the University of Florence, Italy in 1963.

IMAGE	CAPTION	SELLING PRICE
	MANUEL RODRIGUEZ Boy on Carabou 1970 etching, AP 22 x 18 cm w	$3,000